Gudnadottir makes the invisible somehow seem real – paranoia, unknown horror and unrelenting tension defines this record, which also somehow conveys the architecture of a power plant. Here Dark Entries compile the four versions that were cut during its two key release phases on GC Recordings in and in all their remastered glory. Raindrops gram vinyl 12″. Ossia is also on hand to help with the more abstract sonic shapes of “Part 5”, while “Part 3” provides a wonderfully energised, drum-rich ending to a truly standout EP. There’s plenty to soothe and seduce on the eight tracks stretched across two slabs of wax, from the undulating, occasionally skittish beats and sweeping chord sequences of opener “Behind Dulled Eyes” and the icy, doom-laden electronic melancholy of “Reverie”, to the early Black Dog Productions flex of “Clouded Over” and the dubbed-out, slow motion bliss of “Soft Focus”.
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Holta Di Polta – Mahagoni Bar Augsburg – Friday, 20 April | PartyBeep
Login Register Login with Facebook. Astral Industries have shaped a sizable portion of their catalogue hokta the work of The Chi Factory, and so it continues with this release from core member of the Dutch group, Jacobus Derwort. Tropes from thriller soundtracks of the past – squeaking strings, marching drums and the clicks of a Geiger counter – are all wisely sidestepped in favour of a more subtle but dramatic score.
As with much of his output, there are enough intricate details and emotion-stirring motifs to suggest that the album will sound just as good on the 50th listen as it does the first. Estacion Inmortal gram vinyl 12″. The scene is set magnificently by minute opener “Palace of Time”, where effects laden instrumental passages meander across the soundspace to the accompaniment of sporadic percussion and a lone, operatic voice. Other search results for: Online retailer of books, music, DVDs, games, electronics and gifts.
This session is as freaky as they come, with muffled voices appearing hklta of the noise like apparitions. Earth State heavyweight vinyl 12″. As you’d expect, the duo’s collaborative work combines Allen’s traditional Nigerian polyrhythms, traditional Afrobeat instrumentation, and the far-sighted, sci-fi inspired electronic futurism that has always marked out Mills’ work.
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Many of her albums have previously been hard to come by, so it’s fantastic to see “The Space Between”, arguably her single finest set, finally get reissued. This is, after all, a slice of previously hidden musical history. It draws on four of the cult band’s most acclaimed albums and includes early singles like “Back to Nature”, ” Ricky’s Hand; Handshake” and “Lady Shave.
Previously only available on CD back inthis Best Of Fad Gadget collection finally lands on vinyl with inners including liner notes by Paul Morley. Interestingly, some of the album’s standout moments come laden with woozy electric pianos and the kind of hazy, slow motion guitar motifs that golta mental images of long, drawn-out sunsets.
The album has long been considered a “must-have” for ambient collectors, despite high second-hand prices and very limited stock.
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It’s always good to see a split release from two artists whose track records no pun intended make it pokta difficult to predict where the new wares will fit. Island Of The Gods Indonesia. Vincent IncTripeo. Unique, inspiring and truly excellent works from the one they call DJ Central. This fascinating compilation on Finders Keepers finds band member Steven Stapleton chronicling them all, and ;olta makes for an often intense story full of noise experiments, soot-black guitar playing and haunting atmospheres.
Baha wears his influences on his sleeve, and why not? Recently, local anaesthetic was added to the formulation which has made the whole process more streamlined as nerve blocking injections are no longer required. Geburtstagskinder haben keinen freien Eintritt. Riley and Reich style minimalist melodic patterns – delivered via bold, colourful analogue synths capable of creating an ecstatic mood amongst listeners – catch the ear throughout, while intriguing diversions such as “Arrows Of Time” – a mesmerizing piece for Harpsichord and voice – only emphasise the quality hokta depth of Barbieri’s work.
Here they return as Flame 2, once again offering up a pair of weighty dancefloor excursions.
Dots remastered double 12″. It’s a slippery, shape-shifting creation that veers between uneasy soundscapes and gutter-dwelling funk, with some truly visionary signal processing, electronic textures and more besides in the mix.
The American producer is a master at blurring the boundaries between radio-friendly house, deep synth-pop and nu-disco, and much of “Bimini Road” is based around this accessible and summery musical intersection.
The most common aesthetic wrinkle treatment on planet earth. Now Galaxy have scored the record as their opening gambit, which should satisfy more than a few second hand vigilantes out there. For all poltta exotic instrumentation and subtle nods to post-dubstep “aquacrunk” experimentalism and chiming, head-in-the-clouds sunrise house, the album feels like a relic of a lost era. The sounds are sparse, atmospheric and alluring, with simple harp, vibraphone, piano and flute motifs taking it in turns to rise and fall across the soundspace.